Small Heath, Birmingham, 1919. Thomas Shelby (Cillian Murphy, Inception) and his family run the most feared and powerful local gang, the Peaky Blinders. Named for their
of sewing razor blades into the peaks of their caps, they make money from illegal betting, protection and the black market.

But Tommy’s ambitions go beyond running the streets, and when a crate of guns goes missing from an arms factory, he recognises an opportunity to move up in the world. As rival
gangs, Communist revolutionaries and IRA Fenians descend on Small Heath in pursuit of the weapons; Winston Churchill dispatches a ruthless police chief from Belfast to impose
order on an increasingly lawless city and recover the guns.

Boasting a stellar cast that includes Sam Neill (Jurassic Park), Helen McCrory (Harry Potter and the Half-Blood Prince), Paul Anderson (The Revenant), Annabelle Wallis (The
Loudest Voice), Joe Cole (Prayer before Dawn) and Sophie Rundle (Gentleman Jack), Benjamin Zephaniah and Natasha O’Keeffe (Filth). Season One sprang an entirely new kind of
drama on an unsuspecting audience back in September 2013.

Writer and creator Steven Knight says: “Season One lifted the lid on a world undiscovered and forgotten by history but alive and kicking in oral tradition. I mined the memories of
relatives regarding the lawless streets of Small Heath Birmingham, run by gangsters, rocked by turf wars, ruled by the Peaky Blinders. Tommy Shelby arrived on a black horse. He
fought memories of war, London gangs, and his own father as well as the indomitable Major Campbell of Special Branch. He also found Grace and he found love. Series one was
about destroying the template of British period drama. The music took lots of people by surprise and surprise is good.”

As the 1920s begin to roar, business is booming for the Peaky Blinders gang. Crime boss Thomas Shelby starts to expand his criminal operations to London, and his rise brings him
and his family into contact with new worlds of hedonism and excess. Meanwhile an old enemy has returned to Small Heath, Birmingham, intent on revenge. Soon, Shelby finds
that he has been chosen to play a role in a covert paramilitary operation – a role that will most likely lead towards his own demise.

Welcoming to the cast Charlotte Riley (Easy Virtue), Noah Taylor (Game of Thrones), Finn Cole (Animal Kingdom) and Tom Hardy (The Dark Knight Rises) as the inimitable Alfie
Solomons, Season Two proved how many more stories there were to tell about Tommy Shelby and his family, living in these extraordinary times.

Steven Knight says: “Season Two saw the Shelby family begin to expand their empire and spread their influence into corridors of power. Society horse trainer May Carlton caught
Tommy’s eye, but Grace still held his heart. This season was about love, good and bad and twisted out of recognition. Polly finds a son and kills a man. Major Campbell dies and
Tommy steps out of his own grave to carry on, a man beyond death. This was when Peaky hit its stride because it became about people who are truly victims of their own wild and
unknown destiny rather than their own decisions or their own history. We all want to be in that position I think.”

When Thomas Shelby is approached by a secret organisation on his wedding day, he is drawn into a maze of global intrigue involving White Russians and a dark force at the heart
of power called the Economic League. Coerced into the most audacious crime of his career, Shelby faces overwhelming forces in every part of his life.

Introducing to the cast Paddy Considine (Dead Man’s Shoes), Gaite Jansen (Line of Duty) and Kate Phillips (Wolf Hall) as Linda Shelby, this phenomenal vision of a family’s odyssey
through British society reached new heights of emotional intensity.

Steven Knight says: “In Season Three I wrote the death of a major character. This was hard to do but necessary. Exiled Russian aristocrats underestimate Tommy and John and
Arthur and Polly and pay the price (no one ever learns). Alfie Solomons established himself as the only man Tommy can really talk to. But this series was about loss and carrying
on when there is nothing to live for. The Shelby business spread west to America.”

December 1925. Tommy Shelby OBE is a man alone, estranged from his family and focussed only on business. But when he receives a mysterious letter on Christmas Eve, Tommy
realises that the Shelbys are all in danger of annihilation. As the enemy closes in, Tommy flees his country house and returns to the only safe place he knows: Small Heath,
Birmingham.

Joining the series were Aidan Gillen (Game of Thrones), Jack Rowan (Noughts and Crosses), Charlie Murphy (Happy Valley) as real-life activist Jessie Eden and Adrien Brody (The
Pianist) as New York Mafia boss Luca Changretta. The most action-packed installment yet, Season Four won Peaky Blinders the BAFTA for Best Drama Series.

“Season Four was about overcoming death. Or the fear of death. Tommy, Arthur and John always felt they were dead already. They were always ghosts returned from France. In
this series one of them met death for real and Polly discovered what the boys had known all along. The freedom you get when no consequence scares you. In the words of Francis
Bacon ‘since everything is so meaningless, you might as well be extraordinary’. ” – Steven Knight.

The world has been thrown into turmoil by the Wall Street Crash of 1929. Opportunity and misfortune are everywhere. When Thomas Shelby MP is approached by a charismatic
politician with a bold vision for Britain, he realises that his response will affect not just his own family’s future but that of the entire nation. But as he prepares to sabotage the new
dark force that is threatening Britain, Tommy faces demons of his own…

Season Five welcomed Anya Taylor-Joy (Emma), Brian Gleeson (Love/Hate) and Sam Claflin (The Hunger Games) as fascist politician Sir Oswald Mosley, and featured a blistering
score by acclaimed musician Anna Calvi.

Steven Knight says: “Season Five was about how the Shelby family became part of the fabric of history. It was also about the rise of Fascism. Tommy faces an evil even he cannot
reconcile and tries to put his considerable political abilities to work defeating it. But Tommy is not a good man and the line between good and bad is something he needs to
discover. In this series I wanted to suggest for the first time that Tommy might even believe he has a chance at redemption, and that redemption might even mean something to
him. He also finds that he loves his wife and that his children are a reason to go on living. Welcome, Tommy, to the fringes of the human race.”